U.S. Army Artifact Spotlight
Washington’s Pistols
By Leslie D. Jensen
Article published on: April 1, 2025 in the Army History
Spring 2025 issue
Read Time:
< 5 mins
George Washington's pistols at the West Point Museum, located on the grounds
of the U.S. Military Academy in New York, are perhaps the best documented of
several pistols that General Washington used over his lifetime. As such,
they are a national treasure that reside today in the area where he spent
the most time during the long struggle for independence—the years in which
the Army matured, professionalized, and launched its victorious Yorktown
campaign. Washington's long standing association with West Point and the
Hudson Valley led to the continued presence of the U.S. Army at West Point
from the revolution until today.
In April 1778, Capt. Henry Fauntleroy, having returned from recruiting duty
and a furlough with his family in Virginia to the Continental Army's
encampment at Valley Forge, Pennsylvania, delivered a letter and package to
the headquarters of General George Washington. The letter, dated 22 March
1778, was from Fauntleroy's brother in law, Thomas Turner. It read:
May it please your Excellency,
Altho' I have not the honour of being personally acquainted with your
Excellency, nevertheless I am far from being a Stranger to your
distinguished merit, both in private and public life; your indefatigable
zeal, and unwearied attention to the true Interest of your native
Country, since the commencement of these differences, must excite the
warmest sense of gratitude in the breast of every American that is not
callous to the rights of humanity; that it may please the supreme
Disposer of human Events, to crown you with success in this important
struggle, & speedily put an end to the distressing Scenes of this
unnatural War, is the fervent wish of your, Excellency's respectful &
Obedient Servt
Thos Turner
P.S. I have transmitted to your Excellency a pair of pistols &c. &c.
your acceptance of which will confer a singular obligation on
T.T.
1
Washington's reply to Turner, dated 25 April 1778, notes:
Altho I am not much accustomed to accept presents, I cannot refuse one
offered in such polite terms as accompanied the Pistols & furniture you
were so obliging as to send me by Captn Fauntleroy. They are very
elegant, & deserve my best thanks, which are offered with much
sincerity. The favourable Sentiments you are pleased to entertain of me,
& the obliging and flattering manner in which they are expressed add to
the obligation & I am Sir Yr Most Obedt & Most H: Ser.
G. W.
Thomas Turner and his wife, Jane Fauntleroy Turner, lived on the
Rappahannock River southeast of Fredericksburg, Virginia. His father and
grandfather had been prominent planters, and Washington had known Turner's
father in his younger years. Sadly, Captain Fauntleroy, who delivered the
pistols, was killed later at the Battle of Monmouth in June.
The pistols themselves are a pair, brass-barreled and silver-mounted with a
panoply of arms on the side plates and a grotesque face on the butts. The
lock plates are signed "HAWKINS." John Hawkins Jr. was a general London
gunsmith who had taken over his father's shop in 1714 and carried on the
business until 1760. Normally, mounts were bought from silversmiths, and
there is a single London date letter, an "n" for 1748, on the tail of one
silver trigger guard bow. The barrels are 8.5 inches long, .65-caliber and
are stamped "London" on top along with "RW," for Richard Wilson, a prominent
London gunmaker, and London proof marking. The practice of different makers
supplying parts to produce pistols was standard among London gunsmiths of
the time. Hawkins and Wilson both had extensive trade with the colonies.
Indeed, Wilson produced about 2,000 muskets for New York City in two
contracts and possibly 500 to 1,000 for New Jersey, as well as muskets for
Georgia and South Carolina, and trade guns for Virginia, all about the time
of the French and Indian War (1754–1763). Occasionally, Wilson barrels are
found on other American made arms. Work by modern arms scholars have
documented several silver-mounted, high-end pistols, one almost identical to
the Washington pair, which follow the basic profile of these pieces.
Although these pistols were thirty years old when they were presented to
Washington, their age was far less important than the fact that they were
obviously high-end pistols by a prominent London maker.
Each pistol has a silver strap inlaid across the back engraved: "Gen.l G.
Washington," probably done for the presentation. There was some damage to
the stocks when they were cut for the inlay.
Washington certainly had these pistols from the close of the Valley Forge
encampment through the end of the revolution. It appears that they saw
active use, for the silver mounts show considerable wear on the high spots
consistent with being carried in saddle holsters. The box in which they
came, which has the original woolen lining, only shows wear from the lock
screws which protrude farther than the silver mounts. Because the mounts
were clear of the box surfaces, the wear on the mounts did not come from
being in the box.
Washington had other pistols, including ones given to him by General Edward
Braddock and Maj. Gen. Marie-Joseph Paul Yves Roch Gilbert du Motier,
Marquis de Lafayette, but it is not always easy to trace their individual
histories. The provenance of this pair, however, is strong. Te guns
themselves provide the date of manufacture and who made them. The
Turner/Washington letters document the presentation, and their condition
shows some indication of their use.
The gift to Washington, just after the Valley Forge winter and the troubles
with the Conway cabal, must have been a welcome indication that he still had
strong supporters. Washington had the pistols from that time until he gave
them to his private secretary Bartholomew Dandridge Jr. Dandridge was Martha
Washington's nephew, and he was close with his aunt and uncle. Dandridge
died of yellow fever in 1802 in Haiti while serving as consul.
Although there is no documentation of the date when the pistols went to
Dandridge, his effects were auctioned in 1804. The original auction list,
which has remained with the pistols and is also in the museum collection,
clearly identifies them as "The Washington Pistols," and notes that they
were silver mounted. They were purchased by Philip G. Marsteller, the son of
a Washington family friend who had been one of the six pallbearers at
Washington's funeral in 1799.
The pistols remained with the Marsteller family for nearly a century. They
were auctioned again in 1903, when they passed to Francis Bannerman, an
international arms dealer and collector. Bannerman sold them to John S.
Reed, and in 1914, E. Hubert Litchfeld acquired them from the auction of the
Reed collection. Litchfeld, an early arms and armor collector, loaned them
for a time to the Metropolitan Museum of Art in New York City, where they
were on exhibit. In 1951, Litchfeld sold them to New York millionaire
Clendenin J. Ryan, and it was he who presented them to the West Point Museum
in 1953.
This virtually unbroken chain of ownership and consistent documentation,
plus other studies over the years, make these pistols the most important of
the many valuable objects at the West Point Museum. They will, of course,
figure prominently in the museum's observance of the 250th anniversary of
the American Revolution.
Leslie D. Jensen is the curator of arms and armor at the West Point
Museum and has been managing a collection of approximately 7,000 items
dating from ancient Egypt to the latest U.S. Army weapons for the last
twenty-three years. He first was involved in museum work in 1962 as a
member and sergeant major of the Colonial Williamsburg Fifes and Drums,
with later interpretive experience at Colonial Williamsburg, Jamestown
Festival Park, the Virginia War Museum, and the National Park Service.
After graduating from Roanoke College, he became curator of collections at
the American Civil War Museum (formerly the Museum of the Confederacy),
museum curator at the U.S. Army Transportation Museum (1982–1984) and
director of two Army museums: 2d Armored Division Museum (1984–1986) and
The Old Guard Museum (1986–1989). He moved to the U.S. Army Center of
Military History's Museum Division in 1989, joining the initial planning
team for the National Museum of the U.S. Army and later as chief of
collections for the Army Museum System. His last major duty with the
Center before moving to West Point was to lead the Army portion of the
artifact recovery team in the wake of the 11 September 2001 attack on the
Pentagon.
Notes
Author
Leslie D. Jensen is the curator of arms and armor at the
West Point Museum and has been managing a collection of approximately
7,000 items dating from ancient Egypt to the latest U.S. Army weapons for
the last twenty-three years. He first was involved in museum work in 1962
as a member and sergeant major of the Colonial Williamsburg Fifes and
Drums, with later interpretive experience at Colonial Williamsburg,
Jamestown Festival Park, the Virginia War Museum, and the National Park
Service. After graduating from Roanoke College, he became curator of
collections at the American Civil War Museum (formerly the Museum of the
Confederacy), museum curator at the U.S. Army Transportation Museum
(1982–1984) and director of two Army museums: 2d Armored Division Museum
(1984–1986) and The Old Guard Museum (1986–1989). He moved to the U.S.
Army Center of Military History's Museum Division in 1989, joining the
initial planning team for the National Museum of the U.S. Army and later
as chief of collections for the Army Museum System. His last major duty
with the Center before moving to West Point was to lead the Army portion
of the artifact recovery team in the wake of the 11 September 2001 attack
on the Pentagon.